Veni Dilecta Mea / Come, My Chosen One

Mystical and human love are here celebrated in song. Monody intermingles with polyphony, both written and improvised according to the rules of the medieval treatises: two-voice organum (with the improvised voice either above or below the original melody); three-voice faburden; Burgundian chanson and canon constructed over a cantus firmus.


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